Full-time musicians use variety of instruments to jazz up Pudge’s patio

It’s all they do and they play it well. Melissa Stoudt and Ann Marie McIntire, the duo who perform as JazzSpring, quit their day jobs to focus only on playing jazz as a full-time occupation, using a wide variety of instruments to share each individual moment with the audience — who it seems never go home singing the blues.

They will be playing on Pudge’s patio, and capturing listeners with melodies that flow out into the streetscape, Thursday and Friday nights for the rest of the summer.
Jazz standards by a variety of composers are their favorite songs. “Ellington, Monk, Jobim, Gillespie, Carmichael. No one artist constitutes a majority of our repertoire,” they say, but the songs are usually familiar to folks, either having been performed by Big Bands, or vocalists such as Ella Fitzgerald, Billie Holiday and Frank Sinatra. “Our music gives it a new sound.”
There is little if any guitar in their performances at this time, but virtually any other jazz instrument that you’d want to hear. “We love guitar, but currently use flute, alto sax, piano, and if space allows, upright bass,” they say, adding that other rhythm instruments are incorporated at times. “Flute and piano has a nice clean sound. Jazz flute is rarely heard, and it captivates the audience, visually and audibly. They may not know why, but people think, hmmm, that’s different. When we use flute with string bass, the sound is on the opposite ends of the spectrum… featuring the highest instrument and the lowest instrument in an orchestra….with nothing in between. Cool sound.”
The two musicians met years ago during a gig, then reconnected when both joined the Moonlight Serenaders Big Band several years back. They quit full-time day jobs, to concentrate on music full-time.
Do they have a particular solo they like best? “We are always changing it up. I think what makes a solo great is one’s ability to enter into the music emotionally,” they agree. “If you can get inside the feeling of the song you are playing, you can capture the audience. At that point we and our listeners share a moment in time that ties all of us to the emotion of the song. When the song is over, we move on. We can’t turn around and grab that same experience again.”
“Sometimes I wish I could, but I don’t strive to replicate the same emotion I had yesterday,” McIntire adds. “That’s jazz.”
Every day is filled with opportunities to touch someone with music, the performers say. “We can’t predict what music or situation will arise, but we are prepared to play music where needed.” McIntire gave an example: “Today, I was driving by a memory care housing unit where several white haired residents were sitting on balconies watching cars zip by. The balconies faced a busy street and an empty sidewalk. I parked, pulled out my flute and marched down the sidewalk playing ‘Dixie’. This was pretty off the wall, especially for an introvert, but the seniors got out of their rocking chairs, laughing and clapping. McIntire said music is a Divine interface between people. Last month, JazzSpring played for a funeral. “The music in that beautiful vaulted countryside church felt like it was interlaced with angels,” she said. “It is always astounding to connect to others through music and every performance invites that connection.”
The duo also plays weddings and funerals, at restaurants and private parties, and for other celebrations in the Twin Cities. They have have a demo CD that they hand out, with snippets of about 10 tunes, and you can get that from them when they play at Pudge’s, which will be every Thursday and Friday through the end of August. Occasionally, they will have subs, when there are previously contracted gigs, such as at the Wabasha Street Caves the first Thursday of every month. The subs are Connie Dussl, vocalist, and Herb Reinke, on guitar. The complete calendar is on jazzspring.com.

Share the Post:

Related Posts

Listen to your rock stars, not your politicians. And not those at wholesome or not, rally-around-the-flag hometown fests. Or seen on the city streets and federal freeways when Old Glory is shown in all its glory everywhere. And I walk and talk, and bawk and squawk, gingerly among them all. This as 9/11 is still all the rage, and at times being used not for glorifying the many fallen, but for gain, mostly political, whether in online forums or the hallowed halls of government, or by those who will take the opp to make a racial or culturally based point....
Being a Wisconsinite, west side, I’ve seen a few people I know pop up at the Minnesota State Fair, now and then and again, but not like this time, with a pop-up-stand artist at a talk show.I was with a friend and we sat down in the bleachers, and a guest was brought up that turned out to be — someone who I knew from back in Hudson, an artist with a co-op gallery she owned set up in the middle of the downtown a few years ago. When I had moved to that part of town, I crossed paths...
They’ve added a coffee bar, so you can have a foray of seating for four on stools in front of it, a wine bar and a petite table for two directly in front of the southwest window, and plenty of inexpensive drinks, but other than that The Urban Table as it is known is much like the former Urban Olive and Vine before it. The man who is the brains behind Hudco To Go has brought those $3 premium drinks and more to the restaurant that is kitty-corner to the, again, southwest when you take Locust Street and venture onto...
So many problems in our world, US and UK. How and when to bitch? Waiting for them to be named by a sizeable band, if they shed light on politics and ethical behavior in general, can make you numb. Has anyone else noticed, as we get older and grayer, the similarity in facial look between two who are on vocals, first a rapper and second a metal singer, knotted-side-hair Snoop Dogg and long and straight-to-collar Bruce Dickinson, one who spews island drinks as opposed to the other homemade beer, as Iron Maiden continues on in their latest with a gigantic gaggle of groups with requisite...
Just over two years ago, I sang solo an Iron Maiden song, Blood Brothers, slowly strummed via my cell phone to provide the instrumental, as the exact moment my dad was laid to his final rest under clay. A few weeks ago, one-man-band professional Jeff Loven, one of the best musicians I have ever heard and one with whom I have sung for 25 years, strummed the favorite Johnny Cash songs his father loved in the background for the last hour his dad had on this earth, the troubles of which Cash so frequently sang. Certainly, one of them was Hurt,...
Scroll to Top